![]() ![]() Has also served as a source for other writing systems, like those of Korea and Japan. ![]() The Chinese writing system developed over millennia and comprises hundreds of thousands of distinct characters. Brush calligraphy has historically been ubiquitous in the visual culture of China, Japan, and Korea, either as a complement to another kind of image (perhaps a landscape painting or part of an illustrated book) or as a work of art in its own right consequently, it is central to the study of East Asian art history.Ĭommunication is, of course, the primary purpose of any script. The form of the characters used in the Chinese writing system-as well as the other writing systems that were derived from it- have long held a place of special regard in the aesthetic traditions of the region. We follow with a brief discussion of the historical and contemporary place of brush calligraphy in East Asian education and society finally, we explore some pragmatic aspects of creating class sessions or even a course on brush calligraphy.Īs an artistic genre, brush calligraphy holds a central place in the cultural history in East Asia. In this article, we start with an overview of brush calligraphy, including its relationship with art, communication, and symbology. Re-envisioning Asia: Contestations and Struggles in the Visual ArtsĮast Asian brush calligraphy closely integrates aspects of art, communication, and symbology, thus offering educators a particularly rich set of resources from which to draw upon.Distinguished Service to the Association for Asian Studies Award.Distinguished Contributions to Asian Studies Award.Sumie Jones Prize for Project Leadership in Japan-centered Humanities.Striving for Diversity, Equity, and Inclusion in Asian Studies: Humanities Grants for Asian Studies Scholars. ![]()
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